Chae Soo Bin, known for her captivating charm in “I’m Not A Robot,” was undoubtedly a major draw for many viewers, including myself, to tune into “Where Stars Land” (별의별, Byeoreseo On Geudae). Her previous performance had left such a strong impression, sparking hopes for another enchanting series. However, while Chae Soo Bin’s presence remains a highlight, “Where Stars Land” presents a mixed viewing experience.
Set against the bustling backdrop of a major Korean airport, the drama introduces us to Soo Bin’s character, a new employee unfairly burdened with a reputation for unreliability. She crosses paths with Lee Je Hoon’s character, who is, to put it mildly, unlike his colleagues. In a vein similar to K-Dramas featuring extraordinary women, Lee Je Hoon’s role embodies a unique concept intended to be the show’s central hook. Alongside this central narrative, a subplot involving corporate intrigue adds another layer, though it struggles to truly captivate.
The core concept, unfortunately, doesn’t quite take flight. While the initial episodes offer a degree of novelty and entertainment, the narrative gradually confines itself and the characters into increasingly restrictive corners. The resolution aligns with the central premise, yet it ultimately feels unsatisfying. This is particularly frustrating as a more fulfilling conclusion seems not only possible but almost glaringly obvious. Despite this central weakness, “Where Stars Land” remains watchable due to the engaging and emotionally resonant incidents that unfold within the airport setting. These standalone events are often well-crafted, eliciting genuine emotional responses from the audience.
Surprisingly, “Where Stars Land” finds strength in its secondary romance. In a departure from typical K-Drama conventions where the main couple’s relationship is paramount, the supporting romance steals the spotlight. This shift is almost necessary, given the subdued romantic chemistry between the lead actors. The airport security team duo, in contrast, provides compelling relationship dynamics. Kim Kyung Nam delivers a nuanced performance as the reserved Team Leader, grappling with his feelings for a subordinate. However, it’s Lee Soo Kyung’s portrayal of the assertive and tightly wound subordinate that truly stands out. Their interactions are fraught with tension and humor, creating a captivating and unpredictable dynamic that consistently intrigues. The writing and acting coalesce perfectly to make this fractious couple a consistent source of entertainment.
Chae Soo Bin, as anticipated, is likable and relatable, effectively serving as the audience’s entry point into the story. She navigates the script with grace, though one can’t help but feel her potential is somewhat constrained by the narrative. Lee Je Hoon’s portrayal, perhaps intentionally directed, leans towards a robotic demeanor, often marked by a blank expression. While this reserved and somewhat melancholic approach initially highlights his character’s “otherness” and underlying anxieties, it may not resonate as a conventionally swoon-worthy romantic lead for many viewers in the long run.
Technically, “Where Stars Land” meets the expected standards of modern K-Dramas, boasting polished visuals, exemplified by a striking slow-motion opening scene in the rain. However, the title itself feels somewhat awkward, evoking images of an exclusive airport for celebrities rather than the grounded workplace drama it aims to be. While suggesting a better title proves challenging, something like “Fly To Love” might offer a slightly more appealing alternative to “Where Stars Land”.
