All Shall Perish, a name often mentioned when discussing deathcore bands that defy genre clichés, had long been a subject of debate among metal fans. For many, the band represented the perceived shortcomings of deathcore, often described with harsh criticism. However, with their album This Is Where It Ends, All Shall Perish didn’t just refine their sound; they redefined it. This release marked a significant turning point, proving that within the deathcore landscape, genuine innovation and quality could emerge. Prior to diving into this album, a listen through their discography might have left one underwhelmed. But This Is Where It Ends stands as a powerful statement, signaling a dramatic evolution.
All Shall Perish – This Is Where It Ends Album Cover
The pivotal shift in All Shall Perish’s trajectory can be largely attributed to a crucial lineup change. The departure of Jason Richardson, who later joined Born Of Osiris, and the arrival of guitarist Francesco Artusato injected a new level of virtuosity and creativity into the band. Artusato, already recognized for his mind-bending solo work, brought a universe of talent to All Shall Perish. To truly grasp the magnitude of this transformation, one needs to experience This Is Where It Ends. This album isn’t merely a continuation of their previous work; it’s a rebirth.
The sonic landscape of This Is Where It Ends is strikingly different from their previous album, Awaken The Dreamers. The connection between the two is tenuous at best, almost nonexistent. Instead of familiar deathcore tropes, listeners are met with a high-velocity onslaught of sound, characterized by moments of pure melodic death metal and a genuine incorporation of death metal’s dissonant edge. Crucially, the death metal elements here feel authentic and integral, a stark contrast to the often-criticized, artificial feel sometimes prevalent in deathcore. This album asserts itself with a distinct identity, moving beyond genre limitations.
All Shall Perish Band Photo 2011 Group Shot
The album explodes into action with “Divine Illusion,” an opening track that wastes no time in showcasing the band’s evolved sound. From the very first second, listeners are bombarded with relentless, rapid-fire 8-string riffs that offer no respite. The track’s intensity is momentarily punctuated by the chant-like chorus of “Your God can’t save you!” delivered over a crushing breakdown. Adding to the sonic assault is the undeniable guitar mastery of Francesco Artusato, whose shredding elevates the track to another level. It’s an immediate statement of intent for This Is Where It Ends.
“There Is Nothing Left” follows, unleashing a torrent of At The Gates-inspired fury, seamlessly blended with captivating melodies. And yes, Artusato’s guitar wizardry is once again on full display, delivering more moments of breathtaking shred. Then comes “Procession Of Ashes,” the album’s lead single, which initially leans slightly towards a groovier deathcore vibe. However, even in these moments, Francesco Artusato’s exceptional lead guitar work, particularly the tapping lick in the pre-chorus, prevents the song from falling into predictable patterns. The track also features a poignant, somber clean section at its conclusion, adding depth and dynamics.
“A Pure Evil” reignites the album’s velocity, placing a significant emphasis on Artusato’s shredding prowess. The track is replete with interspersed sweeping and tapping sections, injecting creativity and unpredictability into the composition. It’s evident that Artusato is not just a contributor but a vital force, breathing new life into All Shall Perish. Supporting this revitalized sound is new drummer Adam Pierced, whose drumming provides the essential brutal foundation needed to underpin the complex and aggressive music. Notably, the song features a striking tempo shift during the solo, further highlighting the band’s dynamic approach on This Is Where It Ends.
All Shall Perish Band Photo 2011 Performance
Vocalist Hernan Hermida’s performance on This Is Where It Ends is a marked improvement over previous albums. His delivery is precise, raw, and genuinely angry. While his vocals may have been a point of contention in the past, on this album, they connect powerfully with the music. The album as a whole, both musically and vocally, feels precise and visceral, demonstrating All Shall Perish’s clear intent to deliver a knockout blow with This Is Where It Ends.
In conclusion, This Is Where It Ends is not just a good album; it’s a standout deathcore release and a definitive high point for All Shall Perish. It embodies what many seek in deathcore but rarely find – genuine intensity, musicality, and innovation. In a genre often criticized for lacking originality, this album stands apart. It’s a release that warrants attention, especially for those who may have previously dismissed deathcore or All Shall Perish themselves. This album achieves a level of legitimacy within the genre not heard since albums like Carnifex’s Hell Chose Me.
Explore the evolved sound of All Shall Perish with tracks from This Is Where It Ends:
