Lazer Dim 700, a name buzzing in the online music sphere, recently dropped his mixtape, Injoy. While anticipated, it arrives as a somewhat muted echo of the chaotic energy found clicking through his SoundCloud page. It’s not that Injoy is devoid of highlights; tracks like “Must Run,” a sonic apocalypse meets carnival, and “Awsum,” which feels like transmissions broadcast from the depths of a digital sewer, definitely stand out. However, the mixtape, even at a concise 24 minutes, tends to blur together, losing its initial spark as the novelty fades. The experience can be likened to overindulging in ice cream – initially delightful, but overwhelming in large doses.
Perhaps a greater disappointment than the music itself is the mixtape’s perceived purpose. Injoy feels less like a defining artistic statement and more like a calculated move to capitalize on existing hype. It raises concerns about Lazer Dim 700 potentially becoming another internet rap sensation, propelled into the limelight only to face the pressures of a compressed career timeline. The fear is that the music could become secondary to the trappings of viral fame – the L.A. trips, podcast circuits, label negotiations, and the ever-expanding festival circuit.
Turning away from Injoy, a return to Lazer Dim 700’s SoundCloud page and the track “Intervene,” released a month prior, offers a stark contrast. The track opens with an exasperated “Fuck,” followed by grumbling about a weed shortage, all set against sputtering 808s. This raw, unfiltered energy was captivating, momentarily washing away any cynicism. This rawness is arguably where Lazer Dim 700’s appeal truly lies – in the unpolished, direct connection to his audience that platforms like SoundCloud facilitate. It begs the question: Where Is Lazer Dim 700 From? In a literal sense, geographical origins may vary, but artistically, Lazer Dim 700 emerges from the digital underground, nurtured by the freedom and immediacy of online music platforms. His sound, a blend of chaotic beats and unfiltered lyrics, is a product of this environment, resonating with listeners who appreciate authenticity over polished perfection. He is from the internet’s raw creative spaces, where artists can cultivate a following and style unbound by traditional gatekeepers.
This rawness stands in contrast to the increasingly homogenous visual landscape of rap videos. As noted, many contemporary rap videos fall into predictable categories: either hastily made and lo-fi, or excessively polished with digital effects. The influence of figures like Cole Bennett is undeniable, arguably steering video aesthetics towards the latter, often at the expense of originality. The overuse of visual tropes, such as the “mic hanging from the heavens,” further exemplifies this trend towards visual conformity. While Lazer Dim 700’s music videos are not explicitly discussed in the provided text, his sonic aesthetic suggests a potential divergence from these visual clichés, perhaps mirroring the raw energy of his SoundCloud origins.
